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Touching Difficulty

 

soft cover

362 pp.

$27.00

ISBN 978-1-934542-09-5

 

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Daniel M. Price, Touching Difficulty:  Sacred Form from Plato to Derrida

 

 

Touching Difficulty: Sacred Form from Plato to Derrida grounds the fundamental decisions about postmodernism, in both the understanding of singularity and of the sacred, in historical terms borrowed from both Greek and German traditions.

 

The being of beings — the "oneness" variously characterized as the Sun’s light or the Goodness of form through Plato, Aristotle and Plotinus—is recast in Touching Difficulty as a movement of aesthetic singularity, or as a way of sustaining our contact with the sacred. Beginning with new accounts of their historical readings of both the Greeks and the German idealists, the stage is set for a decisive encounter between the familiar opposition between Heideggerian and Derridean approaches to technology, art and the metaphysics of presence. The current range of thinking about the "event" of being, arrayed between technological and anti-technological modes of producing meaning, is abandoned in favor of aesthetic gestures that sustain our fragile singularity. In such gestures — exemplified by early minimalism’s abandoned landscapes and machined geometric figures — one sees the way in which, even after abandoning the sense of form as the determination of matter, a world can still be conveyed as sustained within the trace of the sacred.

Contents

 

The Sun

The silence of art: Bataille’s babbling sacrifice

A map, of sorts

 

Part One: Life’s Grave Traces

The clarity of method and its demands

Truths of displacement

Aristotle and the trace of phenomenology

Encompassing flow or receding deformation

... a first tracing

The formal force of presence

The creative force of form

The force of an impotent demand

Limitation and light: creatures of the possible

The intellect moves as the necessity of exchange

The trace as the force of the absent

The trace and the gravity of words

The trace as the absence—and the motion—of the intelligible

Affirmation and absence

 

Part Two: The Sense of a Gesture

Deformation of one hand rather than another

The difficulty of gestures

The subject as the site of the representation of possibility

The unity of the place of a doubled reflection

The displacing and transcending logic of the power of representation

On the place of the subject

The beginning of the subjective

Movement and method

Belonging to the necessity of the element

The divine task of beginning

The necessity of the hand

 

Part Three: The Difficult Gesture of Abandon 

The presence of an object—the force of a gesture

The black box

The vanishing compulsion

The philosophical stakes of aesthetic form

The dark gestures of the hand

The presence of the frame ... and its gestures

The originality of trust

The silence evoked

Notes

Index

 

 

Review

 

What would it mean to doubt that the sun was here before we were? Would it simply be to carry out another Copernican turn of the Kantian type? Or does such a turn fall short of the question by representing our fundamental task as one of orientation? Did Nietzsche’s madman come closer when he asked if we were moving "away from all suns"? Or is this too—despite all appearances—another form of Neoplatonism? Is there another way to "doubt that the sun doth move"? To think the movement of—nothing? Touching Difficulty does more than touch on these difficult questions, inviting us to think of the sacred as nothing like the sun. To say that the book is "brilliant," therefore, doesn’t do it justice. It is nothing less than a complete rethinking of the history of metaphysics from Plato to Derrida and beyond.

— Andrew Cutrofello, Professor of Philosophy

Loyola University Chicago

 

Author

 

Dan Price has a Ph.D in philosophy and teaches at the Honors College of the University of Houston. He has written extensively on the nature of creativity and the expressive gestures through which meaning is sustained in aesthetics. His Without a Woman to Read: Toward the Daughter in Postmodernism (1997) addresses questions of metaphor and narrative, while the current volume searches for more fundamental characterizations of presence and absence in works of art.

                                                                                               

 

 

 

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